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Samuel van hoogstraten samuel van hoogstraten canva
102.5x85.1cm
1645
Chicago,Art Institute,
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Samuel van hoogstraten Self-portrait with a Medallion on a gold chain (mk33) panel.
55x46cm
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Samuel van hoogstraten A Young Man wearing a Hat decorated with Pearls and a gold Medallion in a Half-Door (mk33) canvas
42x36cm
Hermitage Museum Lleningrad
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Samuel van hoogstraten Self-Portrait at the Age of Seventeen,wtih Still Life mk52
1644
Oil on wood
58x74cm
Museum Boymans-Van Beuningen,RoTTERDAM
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Samuel van hoogstraten Still Life mk86
c.1666-1668
Oil on canvas
63x79cm
Karlsruhe,Staatliche Kunsthalle
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Samuel van hoogstraten Man Looking through a window mk150
1653
111x86.5cm
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Samuel van hoogstraten the slippers mk247
1654 to 62,oil on canvas,39x28 in,100x71 cm,louvre,paris,france
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Samuel van hoogstraten a view down a corridor mk247
1662,oil on panel ,104x53 in,264.2x136.7 cm,dyrham park,gloucestershire,uk
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Samuel van hoogstraten Self portrait Source Unknown
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Samuel van hoogstraten The anemic lady ca. 1660-1670 (1660-1678)
Oil on canvas
69.5 x 55 cm (27.36 x 21.65 in)
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Samuel van hoogstraten anemic lady Date ca. 1660-1670 (1660-1678)
Medium Oil on canvas
Dimensions 69.5 X 55 cm (27.36 X 21.65 in)
cyf
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Samuel van hoogstraten Woman at a dutch door 1645
Oil on canvas, 102.5 cm x 85 cm
cjr
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Samuel van hoogstraten Woman at a dutch door 1645
Oil on canvas, 102.5 cm x 85 cm
cyf
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Samuel van hoogstraten Self-portrait c. 1647(1647)
Medium oil on canvas
Dimensions 102 x 79 cm (40.2 x 31.1 in)
cjr
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Samuel van hoogstraten Portrait of Mattheus van den Broucke Governor of the Indies, with the gold chain and medal presented to him by the Dutch East India Company in 1670. 1670-1678
Medium oil on canvas
Dimensions 142 X 111 cm (55.9 X 43.7 in)
cjr
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Samuel van hoogstraten
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Dutch Baroque Era Painter, 1627-1678
Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.
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